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Visual Awareness

Contemporary Visual Arts Magazine
Black Mask manifesto [*]

Black Mask manifesto [*]

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Via arthistoryx:

Today would have been Keith Haring’s 54th Birthday. 
Keith Haring: 1958 - 1990


Keith Haring died of AIDS-related illnesses in 1990 at the age of 31.
The Keith Haring Foundation was established in 1989 to assist AIDS-related and children’s charities, and maintains the largest resource of archives on the late artist, Keith Haring.
Haring’s bold lines and active figures carry poignant messages of vitality and unity. His legacy made an impact on late 20th century art and grants us all a vision for the future.

Via arthistoryx:

Today would have been Keith Haring’s 54th Birthday. 

Keith Haring: 1958 - 1990

Keith Haring died of AIDS-related illnesses in 1990 at the age of 31.

The Keith Haring Foundation was established in 1989 to assist AIDS-related and children’s charities, and maintains the largest resource of archives on the late artist, Keith Haring.

Haring’s bold lines and active figures carry poignant messages of vitality and unity. His legacy made an impact on late 20th century art and grants us all a vision for the future.

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The BMW Guggenheim Lab came and went from Manhattan’s Lower East Side without muchincident but now the Berlin leg of the Atelier Bow-Wow-designed structure’s world tour is being cancelled because of what organizers are claiming are threats of violence from left-wing anarchist groups.

READ MORE…

contemporaryscore:

Lutz Bacher, Pipe Organ, 2009-2011, in the 2012 Whitney Biennial, New York

evinces a distrust of modern technology via an aging Yamaha synthesizer organ tinnily played by robotic apparatus. The organ is decked out with huge tin pipes that bring to mind missile shells.”

Links related:

- (((AUDIO))) whitney.org/WatchAndListen/AudioGuides?play_id=605
lutzbacher.com


Whitney Museum 2012 Biennial
Sculpture, painting, installations, and photography—as well as dance, theater, music, and film—fill the galleries of the Whitney Museum of American Art in the latest edition of the Whitney Biennial. With a roster of artists at all points in their careers the Biennial provides a look at the current state of contemporary art in America. This is the seventy-sixth in the ongoing series of Biennials and Annuals presented by the Whitney since 1932, two years after the Museum was founded.
The 2012 Biennial takes over most of the Whitney from March 1 through May 27, with portions of the exhibition and some programs continuing through June 10. The 2012 Biennial is in constant flux, with artists, works, and experiences varying over the course of the exhibition. 
The participating artists were selected by Elisabeth Sussman, Curator/Sondra Gilman Curator of Photography at the Whitney, and Jay Sanders, a freelance curator and writer who has spent the past ten years working both in the gallery world and on independent curatorial projects. Sussman and Sanders co-curated the Biennial’s film program with Thomas Beard and Ed Halter, the co-founders of Light Industry, a venue for film and electronic art in Brooklyn.

READ MORE HERE…

Whitney Museum 2012 Biennial

Sculpture, painting, installations, and photography—as well as dance, theater, music, and film—fill the galleries of the Whitney Museum of American Art in the latest edition of the Whitney Biennial. With a roster of artists at all points in their careers the Biennial provides a look at the current state of contemporary art in America. This is the seventy-sixth in the ongoing series of Biennials and Annuals presented by the Whitney since 1932, two years after the Museum was founded.

The 2012 Biennial takes over most of the Whitney from March 1 through May 27, with portions of the exhibition and some programs continuing through June 10. The 2012 Biennial is in constant flux, with artists, works, and experiences varying over the course of the exhibition. 

The participating artists were selected by Elisabeth Sussman, Curator/Sondra Gilman Curator of Photography at the Whitney, and Jay Sanders, a freelance curator and writer who has spent the past ten years working both in the gallery world and on independent curatorial projects. Sussman and Sanders co-curated the Biennial’s film program with Thomas Beard and Ed Halter, the co-founders of Light Industry, a venue for film and electronic art in Brooklyn.

READ MORE HERE…

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contemporaryscore:

LA PIEL DEL CINE

This is a collaboration between video and audio, an experimentation with different 35mm film textures and webcams.

Video and direction by Mire Aver
Music by Nicolas Ulloa
2012

Sue Coe: Art of the Animal

New York-based British artist, Sue Coe, in sketching, drawing, and painting what she has seen in factory farms, slaughterhouses and other places where animals are made to suffer all over the world, is both witness and change agent. Our Hen House (ourhenhouse.org), the internet’s hub of all things vegan and animal rights (which was just named by VegNews Magazine the Indie Media Powerhouse of 2011), is proud to announce the latest installment in our Art of the Animal series: a new video-short, “Sue Coe: Art of the Animal.” Our Hen House’s ongoing Art of the Animal video series speaks with artists of all kinds who speak up for animals through their medium. Now, we invite you and your site’s visitors to experience the revelatory images that document the reality of animal exploitation, and to learn first-hand from Sue Coe how her journey into this oftentimes dark, but very real world, manifested.

Directed by Our Hen House’s Executive Director, Jasmin Singer, the video-short takes the viewer on a journey narrated by Sue Coe, and features selections from her vast body of work. Coe describes the impetus behind her life’s work – growing up next door to a hog farm and hearing the hogs’ screaming as they were led to slaughter. These experiences left an indelible mark on the artist. In turn, Coe leaves her own mark on the hearts and minds of anyone who views her images, which have been shown in galleries and museums all over the world. The unapologetically graphic nature of Coe’s work results in viewers bearing witness to suffering – a fate that began for Coe so many years ago – yet also leaves many feeling inspired to create change. For Sue Coe, and for many of us who take in her images, complacency is no longer an option. Though many vegans and animal rights advocates are already aware of these realities, even seasoned activists will be moved and inspired by Coe’s artistic explorations of animal suffering.

Links related:
graphicwitness.org/coe
ourhenhouse.org/sue-coe

via Art21

Perhaps ignorantly thinking that the culture wars related to David Wojnarowicz were over, I originally intended to reflect on the long-term effects of A Fire In My Belly (1986-7) in HIDE/SEEK: Difference and Desire in American Portraiture at the Smithsonian’s National Portrait Gallery from the perspective of one year after the controversy.  However a week before the HIDE/SEEK exhibition even opened at the Brooklyn Museum, the Catholic Diocese of Brooklyn, as well as several newspapers, were calling for the museum to remove Wojnarowicz’s unfinished film.

With protesters now traveling from Pennsylvania to picket the exhibition, a look into the effects of the A Fire In My Belly controversy gains a new urgency, as another battle begins in the new culture wars.

READ MORE

Welcome To COMPANY will be in Miami for the Art Basel Week; the most important art fair in the world. Company will be offering Limited Editions, including our exclusive life-size edition, “Uprising After the Femicide,” by Elektra KB.

[Photo from our urban art squad]
“99%” Occupy ArtPoster intervention of the current MoMA’s Diego Rivera exhibition at the 23rd street and 6 Av. station on the F train.

[Photo from our urban art squad]

“99%” Occupy Art
Poster intervention of the current MoMA’s Diego Rivera exhibition at the 23rd street and 6 Av. station on the F train.

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